Vale Sir Christopher Lee 1922 -2015


Sir Christopher Lee, known as the master of horror, has died at the age of 93 after being hospitalised for respiratory problems and heart failure. And, to that end, Christopher Frank Carandini Mothafuckin' Lee WAS Dracula. He played the bloodsucking impaling-happy non-sparkling Wallachian Count in the most perfect Dracula movie ever made, Horror of Dracula, then reprised the role in seven sequels over the next 15 years – giving an entire generation of humanity nightmares for life, coating himself in a swimming pool's worth of fake movie blood, and somehow managing to constantly surround himself with ridiculous concentrations of hot babes with twin puncture wounds on the sides of their necks and borderline-pornographic amounts of blood-stained cleavage.

He's also a 6'5" tall world champion fencer, speaks six languages, does all of his own stunts, has participated in more on-screen sword fights than any actor in history, served for five years defending democracy from global fascism as a British Commando blowing the shit out of Nazi asses in World War II, and became the oldest person to ever record lead vocals on a heavy metal track when, at the age of 88, he wrote, performed on, and released a progressive symphonic power metal EP about the life of Charlemagne (because why the fuck not?).

I won't get too much into it, but Christopher Lee has basically been in every movie ever, from billion-dollar Academy Award winners to the sort of shit that Elvira pimps on Channel 875 at four in the morning on a Tuesday. He's almost always the villain, and as such has probably died on camera more times than anyone ever. He's been Fu Manchu five times. He was the definitive Count de Rochefort in a couple Three Musketeers movies. He's been The Mummy, Frankenstein's Monster, Willy Wonka's Dad, the Emperor of China, the Grim Reaper, Lucifer, Grigory Rasputin, Charles Marlow, Ramses, Tiresias the Blind Prophet of Thebes, Vlad the Impaler, one role where he's simply credited as "Ship's Vampire", and another where he's "Resurrection Joe." He's hosted SNL and been in Police Academy, the Last Unicorn, Charlie's Angels, Season of the Witch, Gremlins II, a Polish Tales from the Crypt-style TV series and a softcore porn based on the works of Marquis de Sade, but he was also in Lord of the Rings,Shaka Zulu, A Tale of Two Cities, The Wicker Man, Moby-Dick and the Hamlet with Lawrence Olivier. He's worked with Peter Cushing, Jimmy Stewart, Charlton Heston, Errol Flynn, Patrick Stewart, Stephen Spielberg, Orson Welles, Vincent Price, Christopher Walken, Sam Eliot, Jeff Bridges and Jayne Mansfield, but also Nicholas Cage, Heather Graham, Sacha Baron Cohen, Tom Arnold, Casper Van Dien and Armand Assante, and he once appeared in a movie called "Howling II: Werewolf Bitch" with the dude from Space Mutiny.

He's the only person to play both Sherlock and Mycroft Holmes (he was also Sir Henry Baskerville). His characters have executed both Charles the First of England and Louis the Sixteenth of France (and, as a badass side note, Lee is so into the idea of public executions that in real life he can recite every official executioner in England since the 15th century). He's portrayed Englishmen, Egyptians, Spaniards, Transylvanians, Frenchmen, Greeks, Poles, Chinese, Indians, Italians, Wallachians, Romans, Germans, Arabs, Gypsies, and Russians, played the lead role in the biography of Mohammad Ali Jinnah, the founder of Pakistan, speaks English, German, Russian, Swedish, Italian, and French, can do any English accent he wants, and sings everything from opera and death metal in a hardcore bass voice. IMDB credits him with 274 acting roles, Guiness says he's appeared in more films than anyone ever, and the Oracle of Bacon lists him as the Center of the Hollywood Universe because anyone in history links to him in 2.59 steps (he links to Bacon in 1). If that's not enough, Lee's movies have grossed more than any actor ever – his top five alone grossed $4.4B (number two is Harrison ford with $3B) and that doesn't even include the new Hobbit stuff. He's such a veteran pro that he filmed every single scene in Star Wars 3 in a single day, and even though he's never received a Best Actor nomination he's been in 4 movies nominated for Best Picture and he can rest assured that even the shittiest movie of his career is probably a fuck of a lot more entertaining than The English Patient.

He's also developed something of a reputation for having  a seething contemptuous disdain for fajitas, which makes him even more badass in some ways.



Vital Juice records in Redcliffe present the 2nd Multi Artist Exhibition, RE FACE. Over 25 artists will be Refacing 2 old Album covers each, turning them into individual and unique pieces of art.

All proceeds from the Exhibition will be donated to the Redcliffe Area Youth Space, who does fantastic work with local kids who need a hand.

Please join us for the opening night celebration from 6 pm.

Exhibition open Friday Oct 17 at 6:00pm and runs until Oct 31


Vital Juices Records


Shop 9 Jetty Arcade, 141 Redcliffe Esplanade, Redcliffe, Queensland





Here is a little teaser of progress on one of the pieces ...


Sneaky peak at a piece from Slug Monroe
 

King Kong vs. Godzilla (キングコング対ゴジラ


King Kong vs. Godzilla (キングコング対ゴジラ - Kingu Kongu Tai Gojira) is a 1962 Japanese  Kaiju film produced by Toho Studios. Directed by Ishirō Honda and starring Tadao Takashima, Kenji Sahara, and Mie Hama.
2012 Blu-Ray Release Cover Art
This is the third instalment in the Japanese series of films featuring the monster Godzilla. It was also the first of two Japanese made films featuring the King Kong character(be it the TOHO version) and also the first time both King Kong and Godzilla appeared on film in colour and widescreen. Produced as part of Toho’s 30th anniversary celebration, this film remains the most commercially successful of all the Godzilla films to date. The US version sported a different edit and Universal Studios library music including cues by Henry Mancini from Creature from the Black Lagoon.
This marked the first step into a more comical approach to Godzilla. Many on the production crew were displeased with how light-hearted the film was, believing that Godzilla was more appealing when he was something to be feared. However, Toho wanted to broaden the audience and felt targeting children with the more comical scenes was the way to go
The plot is basically a mash up of the King Kong and Godzilla storylines. The head of Pacific Pharmaceuticals, Mr Tako , is frustrated by the ratings the television shows his company is sponsoring. When reports of monster discovered on the small Faro Island, Tako believes that capturing it would be a brilliant idea to gain publicity. Meanwhile, American submarine Seahawk gets caught in an iceberg. Unfortunately, this is the same iceberg that Godzilla was trapped in by the Japanese Self-Defence Forces back in 1955, and the submarine is destroyed. Godzilla breaks out and heads towards a nearby Arctic military base, attacking it. He continues moving inland, razing the base to the ground. Godzilla’s appearance is all over the press, overshadowing Tako’s publicity plans making him furious.


(Left) On set with the cas od King Kong Vs. Godzilla - (Centre) US Cinema Lobby Card - (Right) King Kong, Ishirō Honda & Godzilla
 
On Faro Island, a giant octopus attacks the native village as they often do. It is now that the mysterious Faro Island monsters is finally revealed, and guess who?  It’s King Kong. The great ape he defeats the octopus and celebrates the victory by getting pissed on red berry juice and passes out. Whilst in a drunken stupor Kong is put on a large raft by Tako’s men and transported back to Japan. However, the Japanese authorities (Japanese Self-Defence Forces ) order Kong to be returned to Faro Island because Godzilla had just come ashore in Japan. Unfortunately, during all this, Kong wakes up from his drunken state and breaks free from the raft. Reaching the mainland, Kong meets up with Godzilla…
There are two major fights in the film, the short scuffle near the middle and the big climax. The short one is basically a tease for the climax and establishes the hate the two monsters have for each other. These aren’t just two mindless animals fighting; they have reactions and make plans. I particularly love the bit when King Kong walks away from the short scuffle while scratching his head like he’s not sure what the hell he is up against. Eiji Tsuburaya is responsible for handling how the monsters looked and acted.. Godzilla has a very unique design, probably the most unique of the franchise. It perfectly matches the tone of the film and makes him look like an arrogant bully. In fact, this is the first time Godzilla is given
personality traits. In the previous two films he didn’t have much in the way of character as the later films would develop for him. Here he’s clapping his hands, jumping around, seems to enjoy a fight and watching his opponent lose. This is what TOHO monsters are all about, personality, separating them form the usual American monster. King Kong is technically the hero, and he’s definitely a highlight. The suit used is very good, and is full of character. Leave it to TOHO to grab an American monster and actually improve upon the original..

King Kong vs. Godzilla is Solid fun. The dubbed dialogue hits all kinds of fantastic comedic moments, such as a character’s tendency to ache and complain about his ‘corns’ or the behavior and stuttering of Mr. Tako, Normally I tend to like my monster flicks taken seriously – but considering that the humor and satire is part of the script’s DNA, I really really like the goofy cheese which I reckon totally adds substantially to the overall fun-ness of this flick.

King Kong Vs. Godzilla - Master of Puppets by Metallica


Cinema Posters
Sharknado 2: The Second One
Sharknado 2: The Second One is an upcoming disaster B movie and a sequel to the 2013 film Sharknado.


Ian Ziering as Fin is slightly more convincing as a
chainsaw wielding shark killing machine, than a
mart mouth teenage student a Beverley Hills high.

Hollywood has a huge appetite of coming back for a second bite, usually with appalling results. Though some sequels do indeed become the foundation stones for long-lasting film and television franchises, the truth is many do not.
And Sharknado, while it may have made a lot of noise on social media, and somehow turned itself into the cinematic event of 2013 without ever (a) getting a first release in a cinema, or (b) being an actual event, will no doubt take its place in the history books as a piece of absurdist junk and not much more.
Even the trailer for Sharknado 2 can't quite manage to take itself too seriously, opening with one of those "in every generation there is a cinematic event"-type narrations, which quickly devolves into one-liners and utter, utter madness. It comes with celebrity cameos, terrible dialogue and one wry line: "They say lightning never strikes twice."
And let's be honest: all jokes aside, the cable channel SyFy , is asking for exactly that: a second strike of lightning after the first one hit, transforming what might have been a bit of D-list TV detritus into a bona fide phenomenon - albeit one which only really lives in the slightly cheaper version of the real world: social media.
Anthony C. Ferrante will be returning to direct and actors Tara Reid and Ian Ziering will reprise their roles from the first film. Also joining the cast are Vivica A. Fox, Kari Wuhrer, Kelly Osbourne, Benjy Bronk, Judah Friedlander, Andy Dick, and current Total Nonstop Action Wrestling and former WWE superstar Kurt Angle.
A freak weather system turns its deadly fury on New York City, unleashing a Sharknado on the population and its most cherished, iconic sites - and only Fin and April can save the Big Apple.
The film is scheduled for a release on July 30, 2014 on SyFy, which will air the telemovie in the US and on its Australian counterpart.









ZICs



The Zine and Independent Comic Symposium (ZICS) is a 3-day event to be held in Brisbane, Australia at The Edge on Friday 29th, Saturday 30th, & Sunday 31st August. The event aims to provide a forum for the talents involved in independent publishing within Brisbane and across the nation. ZICS is a not for profit community collective, all run by volunteers who want to put on an event different to the usual conventions. ZICS is about people’s passions and engaging with the community.

The weekend itself is going to be MASSIVE, with more tables, more workshops, and more panels than last year! Confirmed guests this year already include Tessa FoxSophie BenjaminMaria ZarroJase HarperSticky InstituteSimon Gray (Format), Steve Stamatiadis (Krome Studios), Paul MasonPhillip Dearest,  Alex CampbellBen ConstantinePlastic KnifeMichael Fikaris (Silent Army)Bianca Valentino, and Canberra Zine Emporium

ZICS believes that being able to craft and publish your own work, without needing to rely on another person or company, is an incredibly important act that needs to be supported. We all need to create a space where people can draw inspiration, collaborate with their peers, develop important conversations, and connect to their community at large. So if you are into DIY, support independents, freedom to express yourself and zines....the pozzible link to support the ZICS cause on over there on the right. click it, learn more about ZICS!!!!


Some people talking about zines
 
Openning nights shindigs
 
This guys drew some stuff and you could look at it

Tables and table of zines and zinesters