B GRADE SCREEN GODDESSES



B GRADE ITALIAN SCREEN GODDESS -Sabrina Siani


If you're familiar with the innumerable sword & sorcery flicks Italian cinema churned out during the 1980s, chances are you've seen Sabrina Siani.

Either naked or in extremely skimpy outfits. The beautiful, blond starlet (real name: Sabrina Seggiani, but sometimes billed Sabrina Sellers) graced many a cut-price fantasy epic, typecast as an Amazonian princess or gutsy jungle girl.

Jess Franco director of the 1980 Mondo Cannibale, wasn't a fan (calling her: "the stupidest person I've ever met"), but what does he know? Siani may not have set the screen alight as a teen cannibal queen in Franco's dreadful Mondo Cannibale (1980), but at least she didn't direct it.

Following a brief stint in sex comedies and Franco's calamitous gut-muncher, Siani soaked up the sun in Blue Lagoon rip-off Blue Island (1982) and played a feisty, female Tarzan in Umberto Lenzi's Incontro Nell'Ultimo Paradiso (1982), before making her mark as a sword-swinging maiden in Aristide Massaccesi's Ator the Fighting Eagle (1982).

Contrary to Franco's sentiments, Siani had a lot to offer: a winning athleticism, sex appeal, and a charismatic screen presence. Whether slaying monsters, befriending bears (!), or smouldering seductively, she frequently upstaged bland beefcake, leading men like Peter McCoy (Pietro Torrisi in The Throne of Fire 1983) and Miles O'Keefe (Ator Movie Series 1982- 1987).

Siani played a memorable wicked witch in Lucio Fulci's deliriously daffy Conquest (1983), naked save for a leather g-string and a python, with her face hidden beneath a metal mask. During the surreal climax, it splits open to reveal a hideous, rotting visage (which says something about Fulci's feelings towards women).

Arguably Siani's finest hour, was appearing as the aptly named Golde
n Goddess in Michele Massimo Taranti's superior, Sangraal la Spaada di Fuoco/Sword of the Barbarians (1982). Here, she emerges amidst a shower of glitter, delectably half nude as usual in a crown and jewelled thong, to romp with an understandably smitten barbarian hero.


Films like Sangraal, Gunan Il Guerriro/The king of the Barbarian (1982), and Throne of Fire (1983) feature Siani in a curious cocktail of childish stories, extreme gore and soft-core eroticism - leaving you wandering who the target audience were.

After reuniting with Massacesi for a substantial sci-fi role in 2020: Texas Gladiators (1984), Siani hit the big time when respected Italian auteur Dino Risi cast her in his medieval comedy Dagobert (1984) alongside Euro stars like Michele Serrault and Carole Bouquet.

Thereafter, Siani graced one last film, Stelvio Mas
si's Black Cobra (1987) - a vehicle for blaxploitation legend Fred Williamson - before she disappeared like a lovely mirage. Hopefully, half-naked amidst a shower of glitter.


 Filmography 1979 -1988

The Black Cobra (1987)
Movie directed by Stelvio Massi
Early in "Black Cobra," Detective Robert Malone (Fred Williamson) establishes himself as a maverick, uncompromising policeman when he guns down several criminals during a hostage standoff. Next, he finds himself protecting a female photographer who has witnessed a murder. She is sought by a moronic gang of motorcyclists who have been murdering and raping at will. Malone finds them, confronts them, and takes care of (police) business.


The Ultimate Mission (1988)
Movie directed by Ferdinando Baldi
This film's history is more interesting than the film itself since it was shot in north Korea with the blessing of Kim Il-sung! It's about an evil drug dealer/nazi who uses "deer-serum" (!) to create a race of übermensch (supermen) and of course a good guy blowing lots of stuff up. We get to see very little of these Nazi experiments, but more of screaming men with machine guns and huts blowing up. We also get to, Mark Greogry and Sabrina Siani, together at last. If only Conrad Nichols would have shown up the circle of Italian loser actors would have been complete.

Aenigma (1987)
Movie directed by Lucio Fulci
Kathy is an outcast at an elite New England boarding school whom lands in a coma resulting from accidentally being hit by a car during a cruel practical joke against her by several car loads of her tormentors. A little later, Eva, a new arrival to the school, takes over Kathy's old room and begins socializing with some of the girls responsible for Kathy's condition. It turns out that Eva is a pawn under the control of the comatose Kathy from her hospital bed in seeing revenge against those whom did her wrong, while Kathy's physician, meets and begins dating Eva whom also targets his latest girlfriend.

Movie directed by Dino Risi
A rare film that illustrates the barbaric middle ages of Europe in a realistic manner. At first glance, it may seem crude to some with its nudity and humour, but this first impression dissipates with the consistent touch of silliness that keeps you smiling.




Uccelli d'Italia (1984)
Movie directed by Ciro Ippolito
The movie consists of a number of short sketches based on the Uccelli d'Italia album by the Italian demential group Squallor. Among others, we see a strange encounter between Judas and Jesus and a Brazilian surgeon who dances the samba on the work floor. The title of the movie is a parody of the name of the Italian national anthem, "Fratelli d'Italia" (Brothers of Italy). It literally means "Birds of Italy," but "bird" in Italian is also slang for "penis."

Conquest (1983)
Movie directed by Lucio Fulci
Italian sword and sorcery epic from splatter director Lucio Fulci loosely inspired from the Hercules mythos about a young man, armed with a magical bow and arrows, on a mystical journey through a mystical land to rid it of all evil and joins forces with an outlaw to take down an evil witch bent on claiming the magic bow for evil. The two warriors take on all kinds of nasty creatures along the way to fill scenes of gory violence.


Blue Island (1982)
Movie directed by Luigi Russo (as John Wilder)
After an airplane crash, a handsome couple is left stranded on a tropical desert island. Bonnie and Billy are forced to fight against nature and the inhospitable environment to survive. Then soon learn to live with the environment then suddenly a large man-beast appears and threatens their heavenly and exotic ménage. So this paradise can change into hell... Sexy blond Sabrina Siani, who has starred mostly in Italian barbarian films, stars in this Italian rip-off of the film THE BLUE LAGOON. As this is an Italian rip-off, the sexual content significantly surpasses it's inspiration

Daughter of the Jungle (1982)
Movie directed by Umberto Lenzi
Two young people travel to the Amazon for a research study, but they buy naphtha lighter fluid instead of gasoline and become stranded without being able to reach their destination. They are captured by the natives and their situation seems hopeless. But the landing of a seaplane gives them confidence; but they fall from the frying pan into the fire. As there would be rescuers are slavers hoping to find rubies using the natives as slaves. They manage to escape by pretending to know where you can find the rubies, then run away and make a big discovery: a white girl acting like Tarzan and baptized the daughter of the jungle.
 
The Hunters of the Golden Cobra (1982)
Movie directed by Antonio Margheriti
An American soldier and a British intelligence agent try to track down an ancient relic called the Golden Cobra, rumoured to have supernatural powers. Extremely fast paced and entertaining Indiana Jones- clone from Margheriti. The plot is a ridiculous excuse to keep the pace moving from plane wrecks to car chases and perilous mountains, Contains some impressive scale models of planes and stuff.

  
The Sword of the Barbarians (1982)
Movie directed by Michele Massimo Tarantini
A swordsman's wife is murdered by followers of the evil Goddess Rani. He vows vengeance upon the cult and journeys to the Ark of the Templars to get a magic crossbow that will help him accomplish his mission.




The Throne of Fire (1983)
Movie directed by Franco Prosperi
Standard muscleman fantasy finds Siegfreid fighting evil personified in the guise of Morak. Morak is the son of the devil's messenger, Belial. Morak is attempting to take the throne of evil "on the day of the night in the day", or rather during an eclipse. To escape instant death by flames, before sitting on the throne, he must also wed Valkari. Siegfried who is invulnerable except to fire and gains temporary powers of invisibility (per "The Rings of Nibelung"), of course, battles Morak to save the beloved princess.

Ator, the Fighting Eagle (1982)
Movie directed by Joe D'Amato
The son of Torren learns of his heritage, goes to avenge the deaths of his fellow villagers, and rescue his sister/love interest from the evil Dakkar and his spider cult. Ator battles giant spiders, swordsmen cloaked in shadow, re-animated dead warriors, and horribly hideous witches.



Gunan, King of the Barbarians (1982)
Movie directed by Franco Prosperi
Gunan (Peter McCoy) and his brother (Giovanni Cianfriglia) are raised by a tribe of amazons. It is prophesied that one day, Gunan shall free the land from the evil warlord Nuriak (Emil Messina), however the first time Gunan meets his enemy, he wastes so much time talking to Nuriak that the bad guy can summon help. This never would have happened to Arnie. Anyway, while Gunan recovers from this failure, he falls in love with stunning blonde Lenna (Sabrina Siani). When Lenna becomes a captive of Nuriak, a second attempt to fulfill the prophecy is due... and this time, Gunan is really angry.

2020 Texas Gladiators (1982)
Movie directed by Joe D'Amato, George Eastman
In a post-apocalyptic Texas, a band of warriors fight against a fascist regime that is trying to take control of all surviving population.





La dottoressa preferisce i marinai (1981)
Movie directed by Michele Massimo Tarantini
Paola Senatore plays a doctor in a hotel where a man repeatedly fails to commit suicide, a pair of window washers witness a murder by a hit man, a suspicious wife checks up on her husband who happens to be having an affair with Paola Senatore and other assorted hi-jinks.




Pierino medico della SAUB (1981)
Movie directed by Giuliano Carnimeo
The film is
a sort of spin-off of the character played by Peter Vitali in a series of films in the eighties, from which it takes, albeit with a different name, the farcical nature. The production was carried out in the hospital Roman Eugene.



  
College Girl on Vacation (1980)
Movie directed by Marino Girolami
The main character, a "slave husband" tries unsuccessfully to betray his tyrannical wife, has a series of misadventures, and is  also kidnapped by two weird criminals, and the wife refuses to pay the ransom.




Cannibal Terror (1980)
Movie directed by Alain Deruelle, Olivier Mathot
Two crooks (Mario and Roberto) kidnap a girl and hide out in the house of a friend who lives by trading with the natives in a nearby jungle. The friend's wife is raped by Mario; she exacts revenge by tying him to a tree and leaving him to the cannibals. She then informs the kidnapped girl's parents of their daughter's whereabouts, and the crooks flee through the jungle



Cannibals (White Cannibal Queen) (1980)
Movie directed by Jesús Franco, Franco Prosperi
Doctor Taylor, his wife Elizabeth and their teenage daughter Lana go to an isolated hospital in the Brazilean jungle, close to the Amazon river; they are attacked by savages and he sees them kill and eat his wife, and abduct the girl. Taylor manages to get back to civilization, but he needs psychiatric help; only Doctor Ana believes his story about cannibals, and takes the risk of going with him and a few rich people who can pay for a safari in the remote jungle. The cannibals decimate a number of the safari members in a succession of attacks, and only Taylor, the sexy lady doctor, and a photograph, rich the cannibal tribe - only to discover that she is now the wife of the tribe leader, and considered a goddess. The tribe has adopted her as a white goddess.

The New Godfathers (1979)
Movie directed by Alfonso Brescia
The Poliziotteschi genre (Italian Cop movies) is mostly populated by maverick cops and sadistic criminals; so The New Godfathers is something of an original addition to the genre. As the Italian title suggests; this film focuses on contraband - which a popular focus for this genre, but rather than focus on one side of the war; the film is instead bolstered by a working relationship between a customs officer and a top criminal as they work together for mutual gain.


Where Can You Go Without the Little Vice? (1979)
Movie directed by Marino Girolami
Two detectives (Renzo Montagnani & Alvaro Vitali)two guys , are hired to discover if a rich industrialist is having an affair. The detectives pose as a gay butler and as a female cook in order to spy on all of the happenings within the house. And this causes a myriad of funny gags, and events to occur that make you laugh until you cry!!!



Napoli... la camorra sfida, la città risponde (1979)
Movie directed by Alfonso Brescia
Italian crime film made strictly for local audiences ie Napoli and so no English language version but this is so good that doesn't matter.Mario Merola plays the character he plays in every Brescia movie,the Mafia don who everyone loves,a tough but nice guy.Unfortunatly Antonio Sabato arrives and starts demanding protection money from Merola and all the local shopkeepers,businessmen etc which finally leads up to a rather strange but violent showdown.




Hangover Hall o Fame - Star Wars Holiday Special - Obscene/ Wastelands Fanzine December 2008


Obscene/ Wastelands Fanzine
Issue 17
December 2008
I was first alerted to the existence of this bizarre footnote in the Star Wars cannon was back in 1984 when I was in grade three at primary school.
Brett, a school mate, came to school and said he had seen this TV show that had all the Star Wars characters in it and featured Chewbacca’s family especially Chewbacca son watching TV.
Poor old Brett was quickly denounced as a liar by the grade three ‘Star Wars Mafia’, (who apparently knew all there was to know about Star Wars). Subsequently, all the cool kids shunned him. However being Brett’s friend I gave him the benefit of the doubt and believed him. I remember talking with him, picking his brain for every tiny detail and wish like hell that I had seen it.
For years I searched the local TV guild hoping that one day this elusive show would be re aired, alas to no avail. I didn’t even know the title of this thing. AsI got older and the Star Wars craze had died down to a whimper, I had pretty much given up on ever seeing it and I even started to wonder if good old Brett had been bull shitting.
Jump forward to 1996 and the invention of the inter web, well maybe not but it was when I discovered it anyway. I remember late one night at uni surfing through endless pages of porn getting bored and struggling to think of something to search for when like a bolt I typed in the words STAR WARS T.V. SHOWS. Up popped three site matches found, two were old star wars Kenner toy adverts and the third stated STAR WARS HOLIDAY SPECIAL.
That was it, I had finally ended a 13 year quest and had the first un-deniable prove that this fucken thing actually existed. What was to follow was a feverish adventure to track down a copy, and that’s another story but you’ll be pleased to know that I did find a copy (be it in very poor quality).
So here it is, for those of you who have never heard of the Star wars Holiday special I have put together is special obscene hangover hall o fame.

The Star Wars TV special was made by CBS in 1978 and aired around Christmas of that year. Apart from one repeat showing on a French TV station the year after and some time in 1984 in Australia it was never shown again and now exists only on bootleg video tapes furtively sold at Sci-Fi conventions.

The basis of the Holiday Special is a two hour long drama set on the Wookie home-world on which Chewbacca’s wife Malla, son Lumpy and father Itchy await the return of Chewie in time for Light Day- a sort of Wookie Christmas.
This basic plot is used to hold together a motley revue of star tunes and musical numbers by performers who one suspects were already past it in 1978. However the real novelty of the Holiday Special -and also its most disturbing facet- is the appearance of the original Star Wars cast in their original roles. These include Mark Hamill, Harrison Ford, Carrie Fisher, Peter Mayhew inside the Chewie suit and Anthony Daniels inside C3PO. The only ones unaccounted for are Alec Guinness and James Earl Jones. Kenny Baker seems to have been spared another stint inside R2D2 by having the role played by a real robot.

I don’t know what combination of money and contractual obligation led to much of the original cast turning up for this outing but their total combined screen time can’t have added up to more than ten minutes, maximum. In fact, much of the show involves long scenes shot in Chewie’s tree house involving Malla, Itchy and Lumpy howling at each other in fluent Wookie. The basic sequence of events is as follows:

The Wookies are getting worried
. Chewie is running late due to his unwise decision to hitch a ride home with Han. Some space battles with tie fighters from the original film are shoehorned into the action. The bridge of the Millennium Falcon looks like it is made up of old boxes and a couple of coloured lights. Harrison Ford intones his lines like an embarrassed sleepwalker.
Malla calls Luke on the videophone. Luke and R2 are fixing up an X-wing made of egg cartons and plastic tubing. Luke doesn’t know where Chewie is. Something is up with Mark Hamill’s face. It may be the new haircut or the layers of makeup following his post Star Wars car accident but he looks disturbingly like Mia Farrow in Rosemary’s baby. R2 sets fire to the X-wing.

Malla then calls Leia who is hanging out in front of a blue pattern with C3PO. She doesn’t know where Chewie is either. Carrie Fisher does a pre
tty good job of Leia, it must be said, but her face is puffy and her eyes are pointing in different directions. I have it on good authority that she was hitting the old space dust pretty heavily at this point in her career.

Lumpy activates his entertainment console to cheer himself up and a troupe of fluorescent clowns, jugglers and acrobats are holographically created for his, and I assume our, amusement. They do back flips for what feels like fifteen minutes, egged on by a life size clown blowing a horn.


The Holiday Special takes a turn for the worse at the appearance of Sondant. A human trinket merchant and friend of the Wookies, he is played by Art Carney, a character actor who clearly has never seen Star Wars but might have had it described to him by a young relative. With a great deal of unwelcome pantomime mugging and ‘funny’ mannerisms, he had me reaching for the fast forward button with every one of his frequent appearances.

‘Things Wookies do for fun while waiting for the plot to start moving’ is used pretty much for the next hour, and throws up such treats as:

  • A cookery show hosted by a man dressed as a woman with four arms.

  • Some kind of young Wookies TV magic show

  • Jefferson Star ship playing on a Wookie laptop to the delight of some imperial soldiers who have happened along

  • An extended sequence in the Tatooine cantina where a pre- ‘Golden Girls’ Bea Arthur sings a song


  • A Star Wars cartoon watched by Lumpy which contains the first ever appearance of Boba Fett and is generally more watchable than any of the live action stuff.
However it did prompt the question: why are the exploits of the main Star Wars characters being made into cartoons for Wookie TV? Are Luke, Han, Leia and Chewie already celebrities? And if so, can Wookies buy action figures of them? It hurts the brain.

Finally the story lurches to an end. Han and Chewie sneak into the tree house, kill a Stormtrooper and are happily reunited with Chewie’s family. Chewie gets to spend Life Day with the other Wookies which is shot like an early Queen video that is if Queen were seven foot tall, wore purple robes and had facial hair problems.
Then Luke, Leia, Han and the droids join the Wookies in a celebration of Christm- sorry- Life Day. Just when it couldn’t get more tacky, Leia sings a song of goodwill and love which has been tortuously set to the melody of the Star Wars theme.

There is good entertainment, and then there is bad entertainment. Then there is the so-bad-that-it’s-good zone, but the Star Wars Holiday Special occupies a hitherto undiscovered region on the spectrum. It is so bad that it saps one’s will to live. It is a malignant hydra with the faces of those we know and love and a body of pure evil. Sections of the original film intercut with this lowband video mess serve only to remind you how far removed this TV ‘special’ is from the film in quality and budget.

George Lucas has said he would like to see every copy of this show burned, but I think the original films would be better served if everyone could see this frightening example of what happens when the right characters fall into the wrong hands.
However as with all hangover hall o fame entries, this film is vastly more whatchable when feeling less than ordinary a some may suggest that it is a bloodly masterpiece when viewed totally pissed.

Oh and one last thing, to the entire grade three Star Wars Mafia, Brett was right, so you know where you can shove that lightsaber!!!

Hardrock Zombies

Originally appeared in obscene fanzine issue 14 2001

I brought this video tape the other day from cash converts. There were two major factors behind this random purchase firstly it was only $2 (I really couldn't go wrong even if the movie was total shit I could tape over it and it would still be cheaper than a blank tape) Secondly the title HARD ROCK ZOMBIES, fuck me if that isn't a excellent title what more could you asks for in a trashy 80's flick zombies and a hard rock band. The title you would think explained the whole film. But no, this film literally had it all.


Let me set the scene, when I sat down to watch this movie it was with my bad taste partner in crime Mark. We were partaking in what has become a bit of a ritual at Studio El Obscneito: the morning after the drinking binge movies fest, in this case it was at the tail end of 3 days straight of pure liver damage. We were sitting around in a seedy stupor when I suggested I whack the movies on as I hadn't had time yet to watch it myself. Mark was instantly aroused as I initially was by the title (being the rock demi god I that he is and horror fan) so I did.


What was to follow was to exceed even my expectations which by now if you don't know aren't really that high. You know you're on a good wicket when the establishing scene is two meat heads with mullets picking up a real hot chick hitching in the middle of nowhere. Before you know they have pulled up at a swimming hole to have a swim (please read "to root"). The trio strip naked and jump on into the water, then the chick proceeds to drown the two guys. All this is taking place while a bloke with a camera, a little mutant and a midget document the whole thing from the bushes. The murderous group drag the victims out the water and bag them up not before the psycho chick cuts of one of the dude’s hands whilst singing the Beatles song "I wanna hold your hand”. All this happening to some obscure cock rock backing track WHAT A WINNER!!

So let me recap, already in the first 5 minutes this film as featured;
·  A touch of cock rock;
·  A hot naked chick ;
·  Murder, blood and gore;
·  Dudes with mullets;
·  A mutant; and
·  A freaky midget (is there any other kind).
Okay so after this stellar intro we are introduced to heroes of this masterpiece. Enter ‘Holy Moses’ a band fully  equipped with leather, make up, spandex and really big hair rock mullets, singing an undiscovered cock classic in its entirety "shake it up" obviously to establish there cred as a real hard rock band.


So after the second establishing scene, the movie really hits its stride and we are treated/ exposed to;

·  A werewolf that looked like an Ewok on a really bad acid trip
·  A family of psychos made up of freaks and Nazis (the grandfather turns out to be Hitler in disguise)
·  Inbred country folk
·  Repeated shots of unhappy inbred country folk apparently unimpressed by the band
·  A good old record burning rally
·  Extended music clips of the band to set the scene every 15 minutes
·  Old School  American muscle cars
·  Black Magic that brings back the dead; and finally
·  Zombies.
In amongst all of this, believe it or not there is even a story line, sort of, which, according to the video jacket-goes like this;
Jesse is the teenage heart throb who leads a band about to break into the big time. Unfortunately one of the groupies happens to be a strange young woman with a lust for naked murders, and she along with her ghoulish family have developed a taste for rock signers.

Well what a buy for $2. I would bet that this film was made by fans of horror and rock n roll, because it looks like they couldn't decide on what favourite elements to put in the film so they just said Fuck it and put them all in.


Things to watch out for!!!!

1 min - have seen this video before. Wait, midgets? Nudity?  Best video ever!

6 mins – Hey is that band going to play the entire song. Friends, this is a dangerous precedent.

13 mins - Oh no, not again.

15 mins - Just keep hoping that the car will come alive and kill them all.
 
34 mins - RANDOM GRATUITOUS BREAST SHOT!

37 mins - RANDOM ACTS OF VIOLENCE AGAINST RECORDING MEDIA!

91 mins - Take that, Hitler!



A note of warning though, unless you are a fan of bad 80's films and I mean really bad, don't attempt to watch this alone or straight for that matter. This flick should be viewed when one is slightly off kilter and in the company of friends to be truly appreciated and enjoyed. It is for this reason that Hard Rock Zombies defiantly deserves its place in the Obscene Hangover hall of Fame even if it gets there on title alone.


Obscene Fanzine 1995-2001


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Coming soon complete archive of Obscene Fanzine FROM 1995 TO 2001 - A ZINE based on the East Coast of Australia in Queensland on the Sunshine Coast. Here at Obscene HQ we are lovers of Bad taste, b-grade films, 80's hardcore and street art.